Uncomfortable Art

The setup tonight at Orchestra Hall for the Minnesota Orchestra and a 90-voice choir. It’ll take time to process a piece written in 2015: “Seven Last Words of the Unarmed,” the last words of seven Black men who were killed by authority figures.

Pushing Back

Walked past Hubert Humphrey, mayor of Minneapolis 1945–1948. Generally I dislike statues, but this one reminds me of a person who changed a city that was the “anti-Semitism capital” of the country, and pushed back against blatant discrimination against African Americans.

Little Mogadishu

Cedar-Riverside, the most diverse neighborhood in Minneapolis, is a four minute walk from our home. One hundred years ago, Cedar-Riverside was home to Scandinavians, Germans, and Bohemians (today’s Czech Republic). During the last 30 years a large number of Somalis, escaping civil war and refugee camps, have moved here to what has been called Little… Continue reading Little Mogadishu

Spiral For Justice

Cycled to black history points of interest in St. Paul I’d plotted on a map. The 46 elements of Spiral For Justice represent the 46 years of Roy Wilkins’ leadership of the NAACP. The walls depict efforts to impede progress to racial justice

Minneapolis Protest Street Art

The elderly white woman periodically topped up our wine glasses. When she decided we were sufficiently lubricated, she turned the conversation to race, specifically African Americans. “They need to get over it,” she announced, repeating with added vehemence, “Get over it.” That conversation has been reverberating in my head as I’ve been looking at street… Continue reading Minneapolis Protest Street Art

Hearing Native Voices

Scaffold In May 2017, I stood behind a chain link fence that was covered with protest notices. “Shame on you”“Take it down”“There is no art in genocide”“Not art, not a game, not experience, not your story, not your family” Behind the fence, in the Minneapolis Sculpture Garden, workers were putting the finishing touches to a… Continue reading Hearing Native Voices