Grey Rock

Sipped a pre-show drink near the amber windows of Level 9 of the Guthrie Theater. In the play, “Grey Rock,” ordinary people rose above oppression with love… and a moon rocket. The playwright and cast were from the Palestinian territories.

Holding On, Letting Go

Walked over to the Guthrie for “Noura,” a play about an Iraqi refugee family in today’s New York: holding on to identity, and letting go; “finding identity in places that are worlds apart.

Model of Downtown

The Minneapolis skyways were 80 degrees Fahrenheit warmer than the streets below, so I walked the skyways. Spotted a model of Downtown in Cesar Pelli’s Wells Fargo Center. For me, the Wells Fargo Center seems outclassed by the restraint of Philip Johnson’s IDS Center.

Manifold Destiny

A manifold is a wide and/or bigger pipe, or channel, into which smaller pipes or channels lead.Scott, John S. (1992). Dictionary Of Civil Engineering. Springer. p. 269. My latest manifold, Version 3, December, 2019. Over the past few months I’ve been educating myself about ways to distribute water to indoor house plants by building a…… Continue reading Manifold Destiny

Seeing the Invisible

On my walk, stopped at a small gallery I’d never visited, Midway Contemporary Art, to introduce myself to some of the work of Yutaka Matsuzawa. He seeks to express the invisible invisibly making the viewer part of the creative process. Some of his work is in MoMA’s collection.

Categorized as Arts

Unlearned Lessons

Spent the morning at the Minneapolis Institute of Art seeing the Vietnam War through the eyes of artists opposed to the war at the time. There’s too many lessons still to be learned.

Logitech Blue

Walked past the blue Guthrie Theater set against a blue sky on my way to join friends for a Mississippi walk. Architect Jean Nouvel’s influences included nearby flour mills (industrial shapes), Logitech computer mice (blue siding), and ski goggles (yellow

Without Fear of Discovery

Walked into art at the Chichu and Lee Ufan Art Museums on the island of Naoshima in Japan’s Seto Inland Sea. Photography was not permitted, but I took this photo without fear of discovery. Note Tadao Ando’s signature concrete.