Tonight at the Guthrie’s A Doll’s House, I anticipated the moment the central protagonist, Nora, walks out into the snow, leaving her home and loveless marriage. Earlier, I had learned from the Guthrie’s study guide that this depiction of Nora was groundbreaking in 1879. Back in the elevator in our building, we had to reassure a neighbor who had attended the performance that Nora was seeking a new life, not ending her own.
